Ambassador of the Sun
An essential comedy is
all extremities
rocks, streams and forests
in our absence free
In imagination’s death
Earth will prosper
elixirs and bitter tastes
unmeasured near and far
Liberty unaccounted
during which I post poems and matter about poems whether it matters or not
Ambassador of the Sun
An essential comedy is
all extremities
rocks, streams and forests
in our absence free
In imagination’s death
Earth will prosper
elixirs and bitter tastes
unmeasured near and far
Liberty unaccounted
Firing Squad
Firing squad 1 set up to shoot prisoners
Firing squad 2 set up behind them
and squad 3 behind them
Fire 1! Fire 2! Fire 3! shouted the
Komisar
Then squad 3 was set into a circle and fired again.
Everyone was dead and bull-dozed into a big hole.
Let this be a lesson, said the Komisar to no one.
out of jail
on July 4
sky above
birds on wing
feet above the ground
I feel like flying
and I'm alive
but I drop
to one knee
to cry
where do I go
and what
do I do
now
I want to see a river flow
hear soft wind in the trees
feel sunshine
and fly away
far, far away
to glory
Two
Imaginary Lawn Chairs in Chianti
Tuscan
grass darkens around us
-any sunset minus a
confluence of phenomena
is only so glorious
a setting may be
renaissance perspective perfect
sky Sistine Blue, genius
rainbow colors freshly mixed
and all the world’s glory
doesn’t matter
as I take your hand
and see into the promised
land of your twilight eyes
gilded ages are resolved to dusty beauty like postcards Chianti wines open pandoralike to mix with sky
they pour single notes,
mix with your voice
and nameless colors
elongate - infinite, articulate
time stops, time starts,
time forgets -
throw away your scorecard
of indifference
and rate the
sunshine
faraway blooming over
rolled Etruscan hills
in the
movement of subtle sensation
nothing but hills of
fading light soon and
without you I lean
dreamless, foreign, dimmed
shoulder to a crumbling
wall
where leaves fall
Away From Bogs
and from swamps, dog days
and the buzz and yap
to shirk unrest and malaise
beyond failing precincts
beyond the limited self
to bright havens we go
in search of herbs, curatives
in forests, meadows, fields
to seek rest and peace
to put awareness on pause
Greeting Card
Too soon summer falls to
winter and leaves us
before spring again trickles back
into summer
Long, hot days shorten; nights lengthen,
our world ebbs
as sun, earth, and moon stream in
fixed progress
You are not getting older, you
are seasoning
Old Photographs
Approximate souls lit on paper
embodied in momentary ideas
Ages of frozen time are perused
snapshots, portraits, studies
groupings, divisions
seen through moving contexts -
phantoms become physical
Someone something somehow somewhere
in light’s passage through air
where physical artifacts store
memories
accurate but false, misleadingly
true
boxed, indexed, stuck, lost, ignored,
or forgotten
Eyefuls of daggers, of clouds or of
nothing
commemorative two dimensional
renderings
keepsakes of empires sent to fade
personhood stolen and sealed away
essence and presence wed
Out the In Outbox
Cold and unbelievable, slowly crumble
sidewalks shed thawing morning ice
aggregates and disbelief causes disasters
as if a dark force erupts within
ice particles
For shards of ice fly in turbulent
air
Within the raw reality of polar
beauty
in the frozen air appears without warning
where there is in no case
non-life factors
Poetry Festival
Creative
writers in a state of brain death
neglect
to tailgate the poetry festival
Their
readings echo tinnily in a labyrinth
which
on first blush seemed navigable
but
the lack of Dionysian frenzy blinds them
all
walking identical paths suddenly are lost
Their
mishmash words drone haltingly
as
panels debate orthographic conventions
Someone
nervously mentions the Minotaur
in the drifting haze from a subterranean
river
Out
beyond the literary muddle profuse fireworks
crackle
electricity in stormy bright white pulses
Mayhem!
Chaos! The beast is loosed on the crowd
Poets
scuffle and run knocking each other down
The
festival like a San Fermin raceway surges wildly
as
the Minotaur gores, stomps and snorts angrily
From
a swaying flagpole above the battlefield dais
I
survey bloodshed, screams ringing in my ears
A
great bronze-sheathed god leeringly appears
There
is no escape from the cockpit of death now
Clubbing,
spearing and hacking life from the bards
The
steely attacker seeing red is bereft of mercy
Relentless
rage pervades the closing ceremony
leaving
plentiful food for vultures, flies and rats
Listen: It’s No Secret, Marty Balin
At age 18 I was unprepared for the sheer passion of Marty Balin
singing “It’s No Secret”. With Jefferson
Airplane backing him at full-blast in a dim, worn-out psychedelic ballroom,
this performance whacked me upside my head.
Sure, I knew that people could get worked up and express
emotion, but this was incomparably more intense and overwhelming than any previous
artistic proclamation of emotionality I had ever experienced. It was the pure expression of distilled,
undiluted LOVE that I heard in his song and voice. It fairly turned me around and shook my
whole rocking world. I remember thinking something like, “Holy Smokes, now I
GET this song!”
I believed Marty: he absolutely cut through the murk1
and communicated real feeling. Friends,
this is a rare thing when a person can summon strong emotion and then
communicate it effectively to another person. It’s even rarer when the hearer
can feel that emotion 53 years later. The lyrics are pretty simple, “It’s no secret
that I love you, yeah I love you”, but I could internalize it whole and feel it.
I can still feel it.
Beyond the fact that in the original recording of “It’s No
Secret” (from 1966’s Jefferson Airplane Takes Off) that Marty fairly
leaps off the turntable, grabbing your collar and proclaiming his love and the necessity
and primacy of love. One can hear the so-called
Summer of Love straining to jump off the vinyl, but not quite reaching an
adequate pinnacle. Still, this initial blast of unfiltered love is astonishing
to hear. My “live” hearing of Airplane’s
jumped-up 1969 live version is an after-echo of the feeling the hippies were
trying and mainly failing to get at. Love.
I could vibe it there at the Aragon Ballroom.
There are live versions of the Airplane and Marty unchaining
his heart on this song, notably on the volcanic 1969 live recording, Bless
It’s Pointed Little Head. There,
Marty and Grace Slick are off to the races, duetting madly. It’s a fairly
Olympian speed-acid rendition. Though this recording is better than good, it
pales to what I heard when as a college freshman, I hitchhiked home to see Jefferson
Airplane in Chicago. Many things stand out about this experience (such as being
absolutely transfixed by Grace Slick) but the intense emotion delivered by
Marty Balin and the wild range and dynamism of his tenor took the melting icing
off the cake.
Marty Balin is something of a dis-remembered hero of the rock
sixties. His songs perfectly captured the ideal of love writ large. On the
Airplane’s breakthrough album, Surrealistic Pillow, his two ballads, “Comin’
Back to Me” and “Today” were its most powerful expressions, even in a setting featuring
the hippie warhorses “White Rabbit” and “Somebody to Love” (featuring Grace,
not Marty). Marty’s was the voice of real
and complete romanticism.
One can add in the Summer of Love echoes Marty later recorded,
like his solo record, “Hearts” and the gigantic Jefferson Starship hit, “Miracles”
as evidence of his continued emotional effectiveness.
Jefferson Airplane was originally Marty’s band and helped establish
the sixties folk-rock, psychedelic and counterculture scene as they recorded
hit albums and played the Monterrey, Woodstock and Altamont festivals where
Grace, not Marty consistently got the spotlight.
It’s somewhat difficult to remember what things were like way
back when “It’s No Secret” was recorded, but the romantic sound of Marty Balin’s
voice points the way. Marty Balin was talented, extreme and authentic. He
captured, sang and probably inspired the dream of the Summer of Love.
1. There was
a lot of murk in 1969 psychedelic ballrooms
man standing on his head at the end of the world
insects buzz hover dart vanish
past arboreal ashfalls’ burnt taste
spire weed breezes tingle lips, nose
grasses and evergreen scrubs below
shudder with birds wings flapping
inner and outer dimensions interswirl
air past ears skin of arm hair tickles
looped steepled globed circle-horizons
tiring, head-top set in tufts of grass
roseate view of sun through eyelids
the abracadabra of this world, those
litanies of sorrows and joys mingle
mangle memories like wash water-wrung
laundry of long ago water rushes afar
sleeping head clears breath outside-in
dreams mixing with emptied worlds freeing
streams running distant water falling
throwing everything at non problems
Silver and golden
windowsill cat
past whose backlit
window-screen
seems to blaze as
motes float along
filtering sunlight
in laser streams
down to the floor
as the cat purrs
Middle School Dance
Her recent charm discovers upward
the entertainment of eager eyes
as dancing she and he interlock, boy
who stands upright, full of fervor
senses a scented paradise in her sarong
languidly wrapped as her limbs ease, flex
and receive as both caress the shared vision
of a rapid jungle daydream rapture:
Youth is rowing into a slippery cove
where passion’s sweet tang slaps time
in tidal rhythm as each surge washes
across the festival gymnasium dancefloor
Mountain Dog
A dull boy on a walkabout sees stranger fauna
than back down home - menacing dark souls
and big wild dogs that lurk in biblical fog
and powerful ladies menacing and solid
The lax boy meets the bright girl in the fog
as a mountain dog on a crag barks resolutely
When the boy kisses the bright lass in the mist
she decks him with her quick hard right fist
The punching teen leaves him alone to perish
but steadily he wakes as the dog licks his face
whimpers and paws in the moonless darkness
He shambles down the path at the dog’s lead
He thinks Tennessee is just a microdot away
drawls slowly in down-mountain canine mentality
The holy boy, his mind doubled by events
like a horse is wary of his legs on slippery tile
Long exertion deposits him upon a boulder
with dog at his feet waiting for his recovery
till slowly sun dawns on broken jaw pain
and his spirit guide leads him to deliverance
passenger
sometimes I’m a lead
soldier
standing in a dim locomotive
cab
I see no engineer, a phantom
controls roaring nerve trains
the quickness with which I
move
is befogged in the harsh
din
derailed nomad in a spirit
world
Idling Across Great Expanses
as I eat my chili mac
super bus, my shiny metal
friend
goes faster than cheetahs
slower than a mistake
crisscrosses country
back and forth
like La Nina
as forces of nature fade
on the Overland Express
my friends are all here
dealing penny ante
poker, spades, hearts,
canasta
as we discuss our youth
not listening as the bus
calmly rattles
over prairies, bridges, mountain cuts
swerving roads on our
curving words
ambiguous
chowder for sharks
past graveyards, churches,
steeples
I pull the cord
to de-bus
but there is nowhere to
stop the travel
as my nerves unravel
tires spit gravel
O Super Bus
rumble through
orchards
one
last turnaround
to make a daydream spin
between asleep and awake
a note strikes a fan blade
and warbles
bends upward then downward
rapidly
shears like a drum beat seeks
dimension
distending outward
as if a bird in a tree
singing sharply at dawn
ascends circular, elliptical
to scribe her arc
quavering awake mid-air
night train
the Lark requests that I
bark like a hound as it passes
but of course a train
never makes requests
a thing of steel without a
soul it roars through the night
leaving me to wonder where
it could take me
somewhere inside myself I
know everything about it
cold iron rails beneath
steel wheels forged in a foundry
it can’t know what I know,
can’t ask questions for itself
yet, the Lark requests
that I bark like a hound as it passes
race cars run on a deep-grooved blacktop
rubbling car tires spline ribbed
surfaces
while rpms register on cockpit
tachometers
like a Camaro briefly reflected
in mirror sunglasses
or sound furrowing like
needles into vinyl records
our human race considers oxen-dumb
jibber-jabber
like a wind blowing no
good over a race track
and meandering day after
night both to be sensible
going further faster to no
avail like a 45 on 78 rpm
IN MONGOLIA
Surmise that on merit I am
the Emperor of Mongolia at such mercurial time and circumstance that this is the
needful
Might I order my awesome
imperial complex built on the plain where currently dinosaur fossils proliferate
Shall I send my otherworldly
emissaries with meticulously crafted plans to Patagonia to isolate, quarry and
cut the exact stones needed for my re-creation of the Great Pyramid of Cheops
upon the Mongolian Dinosaur Plain at the center of the Imperial complex of Luxury
– yes, I think so
And with stones dressed,
finished, polished and blessed they become the latter day instantiation of the
Great Pyramid of Cheops (only better) -- with the all-seeing eye at its
pinnacle, glowering down at ancient, current and future worlds at my whim-behest
shall I beam with pride
Certainly no one objects
and everyone leaps on-board with this pleasurable program; and schedules,
tariffs and rules are devised for all to visit this Mongolian wonderland to be-pilgrim,
marvel, and study fossils, wondering about the rise and fall of the ages of
reptiles without regard to how that reflects on my contemporary age
And I assume to execute
orders for operations to maintain the Imperial Complex Status Quo for millennia,
indoctrinate world citizenry and create belief systems such that humanity obeys
my silliness re: the primacy of the pyramid complex with absolute blind devotion
Whereas plagues are
inevitable I arrange abolition by assembling a really smart team of epidemiologists,
doctors and pharmaceutical research and development teams; environmental
engineers and climatologists to work full-time on health control and population
maintenance.
On the other hand, I might
choose to do none of this and just remain an anonymous poet with no sway in
Mongolia or anywhere else and merely await implementation of this brilliant
scheme someday haphazardly.
Walking a Small Dog
A bird wrinkles a low
branch
as a hawk pierces the
stillness
and in a swoop a bird
passes the wrinkle deeper
into shade
I see motion, I hear the
shrieks, see color
brown against green
through leaves
Something is about to
happen
beyond my inattention
Routine
Business
Levitation
Blindness
Inaction
Escape
Motion
Velocity
A building high above the mist
The moon standing still in the sky
The forest casting living shadows
The wind blowing with abandon
Do not hesitate
Escape!
Together in movement
Moving
Scrambling
We must go!
The building glows from on high
A place of gold and comfort
Radiant with brilliant color
After you enter, realization comes to you
The skeleton of our leader is found in an
automobile
Its motor is leaking dark oil and stink
We must drive it away from here
To a remote, alien place
Come along with me, we are going now
Escape!
The reptile within is taking control
We cannot deny it
Our span of control is infinite
Stop the Earth too, in its tracks
Crawl to the pavilion in the whirling sound
Escape now!
Pink Ginger
Flailing nixes of cruciform thunks
flunked as badly as the skunk stunk
warbling junk to monsieur le drunk punk
or so informs a crunk quidnunc monk
Ginger got her jack-in-the-box gunk
which went funk and clunk into a trunk
then slunk downward and sunk
away from he who plunks a song chunk
Who warbled and what song was it when
the downward spelunk spunk clinked and sunk
What nixes fixed the stinking rupture skunk
to the libelous brotherly rapscallion-men
Now, Ginger Pink suddenly slinks down to sink
into the drink in her jack-in-the-box mink
mountain whiskey
with clear head freed of media
water-conjured I swig
rivulent ancient essence
cold met with grainy heat
and time to unite
invisible spirits
of unknown variables
pickle barrel
brine cumber cuber seedsmore
sharp system stave
rationally reified unusual usuals
float forever jar retraction
I am a man wandering in to buy
realms of pickles the stars of which
fabricate smiling Czechoslovakian
sandwich blue plate specialities
down home not loose enough
to remember bright greenery
via pickle juice transparent hands
flown like birds down into green air
snack and tartar sauce garnished
in Friday night fish fry apogees
Euphonic Dysphonia
An
annual hemispheric exfoliation sequence is a testament to celebration, sharing
of food and drink that runs through the history, legacy, and plans of our
agency; signals the passage of seasonal life, like signal flags turning in the
wind exploding in bright and colorful traditional folk costumes, native dresses
forged in patchworks consisting of cookie-cutter styles per the ancien regime method
as teardrops fall into a silent lake.
Underground
ox-wheels maintain illusions fluttering in the air as the festival capers on instant
by instant before the first freeze tinges with sadness.
People
lined up in the distance smile widely, laughing while shouting vivid sayings
known for happiness day and night. Children sneak in and out of doorways where stockpiled
sweets draw them the delirious village offspring whose laughter echoes down the
stone streets pursuing pinwheeling stilt-giants and feathered clowns with an unheard
loon flying over that darkness in light.
The
chickens stutter and dance as heads bounce in anticipation of the revelries.
Foxes, wolves, raccoons and other nocturnal bandits in constant crowd evasions
list from events. Dogs, cats and domestic birds become invisible in buildings
and under them, scuffling amid the lighthearted danger.
Rudely
hewn barns, shops and huts festooned with dyed streamers and woven straw around
colored pebbles seethe like heaven in the starbright autumnal sunlight like a
celestial city of admiration constructed by magical golden sheep as the shepherds,
rangers and cowhands roll into town. Random frowns cross some brows.
Dance,
sports games, music, parades, care, joy and soul renewal; declamation of heartful speech, vocal recitation
of song, storytelling, poetry and group inspirational recitations. Exchange of seed and goods, handiwork of men,
women and children. Pennants, flags and banners waving. Frivolity. At the equinox.
word by world
the world keeps speed-reading past me
while I slow down to savor each phrase
it rattles off words like a ticker tape
words ideas and ends I don’t care to hear
the olive oil universe is fast and thin
where it should be slow thick perpetual
it is momentary fragmenting temperature
burnt from the grate in a dulled instant
a smokiness instigating clangorous alarms
where lubrication and frictionlessnesses
should abide to counteract toxic ice storms
hovering just beyond our insufficient reason
the words and worlds steal slowly to a crawl
to listen one by one sentence for sentence
Four Dope Jams
life popeye and olive oyl simulate and repeat till now is it real now cartoon things think already things I didn’t think thought put upon put up on her shelf upon a shelf just like themselves thinking thwarting ly things situate always to cartoon my mind |
cartoon unlikelinesses and it’s in a blink dazily dozily done astonishedly gravity-defiantly shown through practice makes perfect momentarily forever fictive surrogates in pre-visualization objects unconscious revolve in still time |
on-line a mere representation quicktimes its own daydreamily droned self wrinkling away from heavenly obstacles and protrusions of
grandeur over and over then it happens
transcendent I watch again the
againing a burnt imprint of a
dream all ideas being all
ideas that are stuck in place |
dream emblem
at the hearth a speed
of light error subconscientious
nature bwanahat
geological movements as tangerine
universes spin in a big
oozing sacrifice and eons
by moments blow my
collective mind in observational
blips as clattering
chatterbirds of capitol
everyworld streets radiate
a radiant static |